Wizard of oz licensing

At the very least, the scope of the film copyrights covers all visual depictions of the film characters at issue, except for any aspects of the characters that were injected into the public domain by the publicity materials.

One lawyer, Aaron Moss, opined that the court's decision was recognizing conventional wisdom when it came to the audience's attachment to a film:. The court's statement that the film copyrights cover 'all visual depictions' of the characters recognizes that there is often a quintessential version of a literary character that exists in the public's mind as a result of a popular film adaption.

The impact of this ruling resonated through the entertainment community. Moss cautions filmmakers when making newer film versions of literature, even if the literature is in the public domain. Such a conundrum faces adaptors of The Wizard of Oz due to the copyrightable nature of the film.

How is one to remake the book, but make the characters different enough from that version? Value legal services for internet users and creators?

Support them. What's the best way to avoid legal problems for your business or creative work? Read our book! Paperback Ebook Audiobook. Ever wonder when you can reuse music, photo, or film clips from other sources? Find out with our interactive Fair Use App. You can find our video guides here. Legal Services we provide. Law school IP and entrepreneurship clinics list.

Frequently Asked Questions about Copyright Law. How to find free music, images, and video you can use or remix in your own creative works. Stop unwanted texts and calls. Taking a few simple steps upfront to protect your business or project can save time and money down the road.

Professors can request a FREE evaluation copy. Skip to main content. How do I figure out if something is copyright protected or public domain? Are the characters copyrighted and what does this mean to me? One lawyer, Aaron Moss, opined that the court's decision was recognizing conventional wisdom when it came to the audience's attachment to a film: The court's statement that the film copyrights cover 'all visual depictions' of the characters recognizes that there is often a quintessential version of a literary character that exists in the public's mind as a result of a popular film adaption.

The general look of the characters as seen in the illustrations as well as the words and the plot of the book are protected by copyright to the extent that those things can be protected. All of the dialogue in the film that appears in the book is in the public domain.

So don't take an original line from the movie. Costumes are almost never subject to copyright , so the costumes can be reproduced. The specific look of the characters has a thin level of protection; those iconic looks are only protected to the extent they differ materially from the illustrations in the original book.

But this also means that copying young Judy's Dorothy down to the very detail may get you into trouble. Having an actress that sounds exactly like her and looks exactly like her may get you into trouble. Similarly, your actress can wear red shoes, but she can't wear The Ruby Slippers.

Because The Wizard of Oz and its subsequent books are such beloved works and have been in the public domain for quite a while, there is a rich selection of books written by different writers other than L. Wikipedia has an extensive discussion regarding all of the non-canon Oz-related stories. One of the many rights a copyright holder maintains is the right to publicly display their work.

This includes showing a movie to a wide audience. When you purchase a DVD or rent a movie, you're allowed to view the film in the privacy of your own home with your family and friends. However, family and friends does not extend to a large group of people. Some schools and libraries already pay an annual license fee to cover these usages; to find out if one is nearby, you can contact Swank at Please note: This is not based on the MGM film adaptation.

Full Synopsis Materials and Orchestration. Duration All under 3 min min over 10 min. Estimated duration 0 sec. Music by William Finn. Lyrics by William Finn. Music by Wayne Kirkpatrick. Karey Kirkpatrick. Lyrics by Wayne Kirkpatrick. Orchestrated by Larry Hochman. Arranged by Glen Kelly. Starting Key Bb.

Estimated duration 3 min 20 sec. Starting Key B. Estimated duration 7 min 25 sec. Starting Key G. Estimated duration 3 min 50 sec. Starting Key Gb. Estimated duration 5 min 10 sec. Starting Key C. Estimated duration 23 min 20 sec. Starting Key E. Estimated duration 3 min 39 sec. Starting Key Eb. Estimated duration 7 min 10 sec. Starting Key Am. Estimated duration 6 min 53 sec. Music by Lisa Lambert. Greg Morrison. Lyrics by Lisa Lambert. Orchestrated by Larry Blank.

Your rental set will also include 3 Piano-Conductor Scores. Estimated duration 7 min 21 sec. Your materials will also include 1 Full Score. Starting Key Fm. Starting Key F. Estimated duration 7 min 23 sec.

Estimated duration 3 min 58 sec. Estimated duration 5 min 38 sec. Music by Frank Loesser. Show Essentials Book by. Jim Eiler. Music by. Jeanne Bargy.