In l' Ie ear y days, paper from Samarqand and Syria was considered to be I,. I ilk di f' pr,ovtu,e, d , su. Syrian [[s. After this preliminary wors, the calligrapher migh'. The child "tear" saw so :m. To ,gr:ade a pupil's :progreg;g in the art" the p,npil. U he: sketched it and somewhat later be. Kraus, 4. V the master So anrrm tel S an d ,. The ij'tDrt could have a. I," seems t. Thus, tombstones are signed as early ,IS in, eig:b;'[ll,-It1'entul]".
U, II. HI t The normal. Ie master 11 roo" as rn the T-'ursas verse' '. Even In ea. A'Iook at the biographies suffices [,0 :prove that families of caU,igr,a. Baww,ab 1 ". Her ,aza by the w,ell,-known master Mehmet Ras,oo Efendi is an, interesting piece of Arabic litera ure.. Here again, an important aspect of the calligraphic tradition becern ,.. Bi9 One also] has '00 remember that , 1,. Shaykh Ham,d. Sufi tendencies manifested themselves :in 'the large. S, content.. The painter-calligraphers ,0 the Bektashi order must be es oecially..
Bawwah's time Ofi. S CAli Efendi, author of the ManAqib-i lid,inarvaran, quotes an. And rnore than one good ,calligrapher must have felt mike the sixreenth-centnry Ottoman master Ishaq Qaramanli" who one day ''"-' ried 'with. OS l I 1f,.. U 8 From a cursory glance 'thrQ,ugb.
Ct nd t'h' ith ' '0'1, I! Jd, work in the chancellery of the sultan or some vizier' ,or in religious administration or financial offices of which ,a fine repre Ji I calligraphers.
A typi. Unn ;;. P';'''v M u,' JtI! S poetically praised, maeried his master's dau. NO'U l IL wfld. C] d ,fioj,um,. T' '[J:fltlS, h na. I" 've'. WhiIe som. Various :forms were developed to please the 'e'-yes of artlevin '0f! This Turkish quotation from the late sixteenth icc'nrury applies also to many of the M,oghul album p. S '" 'm' d. Some calligraphe -s in y.
Ui W,e. Uy pre. His librarian was summoned j1,dbroiu"gh't the o,rig;in,aJ pid,ge" S. J,ngat the enormous e. He composed and wrote 3',' li " 25 ,of poetry in ',we:nty'-fonr QUf'S, and neither slept. It is, told that Yaqut wro,. Korans a. D,d lJh. Yaqut's disciple NasruUah Qandahari is. A 4' ,llS k"nOl'VD,. Molla Khusrau Yazdi d. W'OvOI:' 1. Jl, Ueca,u ".. Busiri himself 'w,as a. Lran, were also ,eng. This means that by ,clOpying' the MatkoolJ i the' calligrapher felt that he.
The great tliY'ii. Gulsoo'nl-i f'4! Jj"d h f' ,. E'",' 'h'. P" 0, ,'L. Some calligraphers who had been copying all kinds of texts for the sake of earn. Q'u'm 'wa. It seems that at. S6 Later poets thea, some: imes claimed that the s'ky itself had put. Oil spectacles! Loveof cani. Indeed, :m. J t e" art rrom. Ibn ar-Rawandi exte nsiv:ely speaks.. Shah Shuja" the Muzaffarid, ,01 ten mentioned in. Ibrahim Mirza ibn Shahrukh was instructed in callig. J'" [n.. Jl ane..
I was only all fine poet ill 'Furki 'but wrote a good hand, and he' story has 0 ten been told of how 'he' trie to hide the painter Bihzad and the calligrapher Mahmud Nishapuri d. Korans in. J;tlqqaq is preserved, in.. Amo':ng those who surrounded him, and who were allegedly all disciples of Mi,--'Ali Tabrizi, were artists who excelled in many other fields besides calligraphy, such as Shahi Sabzavari, w'hos,e poetry was a favorite 'Q f th e T'imurid age; I he poet Katibi Tu rsh izi, a discipile [of Maulana Simi in.
Y pen which showed the letter of y' HJlr tu:-ais! Ha,g in 'the herizons of y'Olur laud-eLike the pe'n I'lhbe all tongue in. Y'Du,rpraise, Like the reedpen, I have :m. He also kept a 'to' 'fjJ,ourish]ng library and. Hus,aynis4yjid ,- ,. Iindustan are almos exclusively in his noble hand. Iran ''Y'.. U1;I'[d have paid his weig'h. Shikoh and, because of infirmi. Koran c r at. J g;-;. Ioving, pi. S, -I'h. W,w:,ren,'th e ,aC Ofl1. J - 'I". On 'me whole, Ibrahim eAdilshah seeme to have 'preferred the naslik style of calligraplhy in which most copies of be Ki':tab-i.
Wh l fled, the war-stricken ci. HteT,a'ture or fine arts! MU,fad, II. Turkish 8. Uy was famed for 'sno-d writing. Srba1ylth Hamdullah wrote forty-seven copies of the Koran a.. Th ,0' eeoratea J8Ul I" te most: eutstan ding personality among them wa. Sofy d. Ali Efeo,d. Hetnus " POll]te'd Ill wrote a fine mirrored btlSma:lo;,2' But with Mai1m,u,d II. He was granted the ijaz.
Kin,gs and dervishes were, equally fond of C81lHgrapllY, an art that enabled t em, to ado. IOU,o; y ,'1. Polisher of paper and Scribe from the' border of the jahangir bum, India, ca. Ieh M', d.
S' ,llJ. Page fttlm an album in n. Varier s Iorr ts ofhei' ill, naskh. Institution, Washin,gtoLn" D" C". Peacock wb.. ID,y 'Nun. Pen lv, ou1d ID. The faci that tJti,e Pen has drier] up does not mean. Pit d. O 'were: ,go". Persian and Turkish, respectively Poets have often complained that the "writers of pre-eternity" have written the fate of lovers in black 6 or considered the image of the d d d ,. J], verse: hI ,. Had I known that the dis. But mystically inclined writers would rather agr'ee with Ruzbihan Baqli, who saw the Pen of the decision jaiwa of pain take:.
I Islam 'the dark m. And how should man '. Ibn 'ATalbi, combining this idea with 'the b. Open navigation menu. Close suggestions Search Search.
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